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在嘉庆、道光年间,谢兰生作为广州画坛的代表人物,是如何影响广东文化取向的地域性醒觉?谢兰生在地域性醒觉中扮演什么角色,又如何在绘画上达到一种自我觉醒?笔者为求得这些问题的部分答案,以《茶山飞瀑图》为例进行研究。希望通过对该画风格特征的详细解剖,并将其与谢兰生的画学主张联系起来,使读者对谢兰生的画艺及影响有一个更深的认识。
In Jiaqing, Daoguang years, Xie Lansheng as a representative of the Guangzhou painting scene, how to influence the cultural orientation of Guangdong regional awakening? Xie Lansheng in the regional awakening what role and how to achieve a self-awakening in painting? I was Part of the answers to these questions, with “Dasan waterfall map” as an example for research. It is hoped that through the detailed anatomy of the style characteristics of the painting and the connection with Xie Lansheng’s painting theory, the reader will have a deeper understanding of Xie Lansheng’s painting skills and influence.