内蒙古阴山岩画历史悠久,种类丰富,不仅有表现生产活动的场景,也有崇拜和祭祀图像。从各种动物到日月神灵,从征战舞蹈到生殖崇拜,它们只是观念意识物态化的活动,但是蕴含在这种图像下的除了原始民族那执着热烈的情感观念外,也伴随着一种原始美学的产生。 Inner Mongolia Yinshan petroglyphs have a long history and rich variety. They not only show scenes of production activities, but also worship and ritual images. From a variety of animals to the sun and the moon gods, from the war dance to reproductive worship, they are only the conceptualization of the consciousness of the activities, but contained in this image in addition to the original nationality that passionate emotional concept, but also accompanied by Origin of aesthetics.