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20世纪随着改革开放的深入,几年间,使中国的政治、经济、文化的发展发生了突飞猛进的变化。与此同时中国观众的审美观念和欣赏趣味也逐渐由一元化走向了多元化,那些强调“主题先行”、只有所谓思想深度而艺术手法单一僵化的戏剧,已经无法再满足观众的审美需求了。面对今天的观众,中国话剧不得不重新认识自己,从娱乐性、宣泄性、社会性和启蒙性等多方面使中国话剧更具亲民性和现实意义。
In the 20th century, with the deepening of reform and opening up, the political, economic and cultural developments in China have undergone rapid changes over the past few years. At the same time, Chinese audiences’ aesthetic conceptions and enjoyments have also gradually diversified from unification to integration. Those who emphasize “theme first ” have only the so-called ideological depth and the single rigid art style can no longer meet the audience’s aesthetic needs . Faced with today’s audience, Chinese drama has to re-recognize themselves, from the entertaining, catharsis, social and enlightenment and other aspects of the Chinese play more people-friendly and practical significance.