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元代是中国古典艺术史上继魏晋南北朝之后又一个性张扬的时代,元代的艺术作品体现出与前代迥异的审美理念。元代艺术精神的形成与当时的主导意识形态——新儒学息息相关。通过自身的创作实践和理论探索,元代士人对以程朱理学、象山心学为代表的新儒学美学思想进行了全面接受和改造,发展和完善了“心境说”、“性情说”等审美范畴,拓展出独具特色的元代艺术精神。正是在此基础上,元代艺术家最终确立了中国古典文人艺术的基本范型。
The Yuan Dynasty was a time of sexual expansion after the Wei, Jin and Northern and Southern Dynasties in the history of Chinese classical art. The works of art in the Yuan Dynasty reflected the aesthetic ideas that differed from the previous generation. The Formation of Artistic Spirit in Yuan Dynasty and the Leading Ideology of the Time - Neo - Confucianism Are Closely Related. Through its own creative practice and theoretical exploration, scholars of the Yuan Dynasty fully accepted and reformed the neo-Confucianism aesthetics ideology represented by Cheng Zhu Neo-Confucianism and Xiangshan psychology, and developed and perfected the “state of mind” and “temperament Say ”and other aesthetic categories, to expand the unique artistic spirit of the Yuan Dynasty. It is on this basis that the Yuan Dynasty artists finally established the basic paradigm of Chinese classical literati art.