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对现成照片再创作的讨论,实际上是在对摄影更加开放的理解中实现的。现成照片的使用者强调了观看的自发性和反馈的重要性,而去精英化的“收集”和“展示”则去除了观看者面对作品的心理落差。当下现成照片的再创作存在两种策略——促成式策略和相互式策略。本文的相互式策略及其理论意义,是指在不同语境下作为艺术作品的照片可以和普通照片相互转化,而大量照片的呈现是这一策略的共性。艺术家借此展开对照片文化意义的探寻。
The discussion of ready-made photo re-creation is in fact realized in a more open understanding of photography. Users of off-the-shelf photos emphasize the importance of viewing spontaneity and feedback, while de-elitist “collecting” and “displaying” remove the viewer's psychological distraction from the work. There are two strategies for the creation of off-the-shelf photos - facilitated strategy and mutual strategy. The mutual strategy of this article and its theoretical significance mean that the photos that are works of art in different contexts can be interchanged with ordinary photographs, and the appearance of a large number of photos is the commonality of this strategy. Artists to start the cultural significance of the photo search.