一、创作的源起“这是一次原生态音乐元素与当代音乐创作的灵感碰撞,这是一次人性本真与物化前卫的文化交流,这是一次之前与之后的情感沟通……”这个剧起源于上海音乐学院作曲家张旭儒教授两度赴云南省沧源佤族自治县的采风经历和体验,阅读了那里的天地、山水和人群,对该县境内十多个村寨进行实地考察,并对其所留存的民间音乐文化进行了采撷与收集。采风带给作曲家的感触是震撼的,其音乐背后所投射出的文化是发人深思和无法释怀的,这引发了作曲家创作打击乐剧场的灵 First, the origin of creation "This is a collision of the original ecological music elements and contemporary music creation, this is a cultural exchange of human nature and materialized avant-garde, this is a before and after the emotional communication ... The drama originated from the Shanghai Conservatory of Music composer Zhang Xuru twice went to Cangyuan Wa Autonomous County of Yunnan Province to collect wind experience and experience, reading the world, landscape and population, the county more than a dozen villages on the site visits, and its The retained folk music culture was collected and collected. The feeling of the wind brought to the composer is shocking, and the culture projected behind the music is thought-provoking and unreadable, which causes the composer to create the spirit of the percussion theater