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歌舞片兴起于20世纪20年代,在五六十年代的西方,歌舞片曾风靡一时。陈可辛执导的《如果·爱》,可以说是华语影坛中少有的具有影响力的歌舞片,而且,片中歌舞很好地融入了剧情,使电影叙事的连贯性并未被歌舞所中断。电影是一门叙事的艺术,无论影片采用何种类型化创作手法,其目的都是为叙事服务。文章以叙事学视角,从叙事视角、叙事时间、叙事的嵌套三方面,分析电影《如果·爱》的创作。
Singing and dancing began in the 1920s. In the 1950s and 1960s, the musicals were all the rage. If “love” directed by Peter Chan can be said to be one of the few influential musicals and films in Chinese cinema, and that the song and dance are well integrated into the story so that the continuity of the film’s narrative is not interrupted by song and dance . Cinema is a narrative art, no matter what type of creative approach to the film, its purpose is to serve the narrative. From the perspective of narratology, the article analyzes the creation of the movie “If You Love” from the perspective of narrative, narrative time and the narrative nested.