读了“戏剧报”上关于培养青年演员问题的文章(一九五七年第一期)后,引起了我许多的感想。首先,我想到了我自己在年轻时候学艺的一些情况:我原来是学小生的,但我到十七岁时,不幸突然倒了嗓,不可能再演小生了,为了生活又不能休息,只好演配角;但既来学戏,老演配角又不甘心,为了找出路,只好改习小丑。但是隔行如隔山,又要从头学起;我只有到处去求老师傅教戏,或者去偷学别人的戏。有一位蔡老师傅演了一出“花子骂相”,很受欢迎,词章好,表演细致,我就想学他这出戏,请他吃饭又送礼物,但是他始终不肯教我。没有办法,我就在他演出时偷着学。不错,也算学会了,可是拿到台上一演,别人就说:“哎呀,你这些戏都是狗咬缺了的!”听了这些话,我才明白了要想学好一出戏真是困难哪。当时的情况,不但学戏难,就是学好了也有困难,因为资本家的舞台不会让我们青 After reading The Drama News on the issue of cultivating young actors (first issue, 1957), I was touched by many thoughts. First of all, I came up with some of my own experiences when I was young: I used to be a schoolboy, but when I was 17, unfortunately, I suddenly couldnt have a niche and could not rest in my life. Acting role; but both to learn drama, old acting role is not reconciled, in order to find a way, had to learn clown. However, as the inter-tribal mountains, but also from scratch to start; I only want to ask the teacher to teach around, or to steal someone else’s play. There is a master Cai played a “flower scolded”, very popular, good chapters, performing fine, I would like to learn his play, asked him to eat and give gifts, but he always refused to teach me. There is no way, I stole at his performance. Good, but also learned, but get a stage show, others say: “Oh, you are dog bites missing these scenes!” After listening to these words, I realized that to learn a drama is really Where is the difficulty? The situation at that time was not only hard to learn but also hard to learn or to learn because the capitalist’s stage did not make us youthful