《微神》是老舍小说中非常特别的作品。很多人最初读的时候,都会产生惊异:“咦！老舍还写过这样的小说呀和！”这一印象不是随便得出的。因为,老舍平常不专写爱情题材的小说,用他自己的话来说,他“在题材上不敢摸这个禁果”,“差不多老是把恋爱作为副笔”。而《微神》却是地地道道的爱情故事,与老舍许多作品不同,这是一。二是《微神》的写法特别。老舍绝大多数作品是写实主义的,像《猫城记》那种象征讽喻性的作品只属于个别事例。而这篇《微神》,却作了许多新的探索,比《猫城记》还走得远些,它是带有较多现代主义色彩,有些笔墨甚至相当费解的作品。这两点加在一起,就给人新鲜的感觉,异常的感觉。 “Ghost” is a very special work in Lao She’s novels. Many people are surprised when they first read: “Lao She has written such a novel!” The impression was not made at random. Because, Lao She usually do not write love story novel, with his own words, he “can not touch this forbidden fruit”, “almost always love as a secondary pen.” The “micro-God” is an unbelievable love story, which is different from many of Lao She’s works. Second, “micro-God,” the wording of special. The vast majority of Lao She’s works are realist, and the symbolic allegory works like “Cats” are only isolated examples. However, this “ghost” has made many new explorations. It goes even further than “The Cats’ City”. It is a work with more modernism and some even quite puzzling writings. Together these two points, gives a fresh feeling, unusual feeling.