“任何艺术形态均是在特定的文化土壤中孕生、发展和成熟的。因而亦就必然受其所孕生的文化精神的影响。”“意”、“趣”原是绘画理论中的重要概念,源远而流长。明代戏曲理论家对它们进行了积极的吸收和借鉴,一是在实践上,写景绘情,以意境为最高审美追求: “Any art form is born, developed and matured in a particular cultural soil, and thus is bound to be influenced by the culture of its being.” “Meaning” and “interest” were originally important in the theory of painting Concept, source and flow. In the Ming Dynasty, opera theorists actively absorbed and used them. First, in practice, writing the scenery and taking the artistic conception as the highest aesthetic pursuit: