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创作于元代的杂剧,在舞台上活跃了很长的时间,在进入明代之后,仍然是演出的主流。但是为了适应演出需要,艺人势必会对其做出种种的改变。关汉卿的《单刀会》杂剧主要有元刊本与明钞本两个不同版本,其中元刊本出自《元刊杂剧三十种》,明钞本出自《脉望馆钞校本古今杂剧》。元刊本与明钞本《单刀会》杂剧的异同,恰能向我们展现出明代杂剧演出对元代杂剧演出的传承与创新,以及随着时代的改变,杂剧演出形式的演进。
The dramas created in the Yuan dynasty were active on the stage for a long time. After entering the Ming Dynasty, they are still the mainstream of the performances. However, in order to meet the needs of the show, the artist is bound to make a variety of changes. Guan Hanqing’s “single-guild” drama mainly consists of two different editions of the Yuan and Ming notes: the Yuan edition comes from “thirty kinds of Yuan drama”, the Ming notes from “the ancient museum and the modern drama”. The similarities and differences between the “YuanDaoJuan” and “MingDao Hui” Zaju can show us the inheritance and innovation of the Ming Dynasty dramas on the performance of the Yuan Dynasty dramas, and the evolution of the forms of the dramas as the times change.