“反戏剧”是对荒诞派戏剧的另一种称呼,作为一种戏剧形式,最初是由尤奈斯库提出来的。马丁·埃斯林在论及这种剧作时说:“荒诞派戏剧不是仅仅根据主题来划分的。吉罗杜、阿努依、萨拉克鲁、萨特和加缪本人大部分戏剧家就其作品的主题而言,也同样意识到生活的毫无意义,理想、纯洁和意志的不可避免的贬值。但这些作家与荒诞派剧作家之间有一点重要区别:他们依靠高度清晰、逻辑严谨的说理来表达他们所意识到人类处境的荒唐无稽,而荒诞派戏剧家则公然放弃理性手段和推理 “Anti-drama” is another name for the absurd drama, as a form of drama originally proposed by Unascu. Martin Esslin said of the play: "The absurd theater is not based solely on themes. Most of the dramatists in Girodu, Anuy, Salakuru, Sartre and Camus themselves The subject matter of the work is also equally aware of the inevitability of life, the inevitable devalue of ideals, purity, and will, but there is one important difference between these writers and absurd playwrights: they rely on highly articulate and rigorous Arguments to express the absurd absurdity to which they perceive the human condition, while the absurd theaeron overtly abandon rational means and reasoning