我的作品更加关注传统绘画形式下的当代表述,我无法对整个绘画史的发展做出准确的判断,因为我正身处其中。但是我迷恋传统工笔语言所特有的精细入微的手工感,以及它所承载的中国式审美精神,并一直试图拓展这种东方式绘画语言的表现边际。在“虚”与“实”的命题中,我似乎更喜欢还原“绘画作品”最原始的视觉阅读性,并试图在这种“实中务虚”的视觉结构中赋予我个体化的情 My work pays more attention to the contemporary expression under the traditional form of painting. I can not make accurate judgments on the development of the history of painting because I am living in it. However, I am infatuated with the meticulous hand-crafted sense of the traditional stylus and the Chinese aesthetic it carries, and I have been trying to broaden the performance margins of this oriental painting language. In the propositions of “imaginary ” and “real ”, I seem to prefer to restore the most primitive visual reading of “painting ” and try to visualize this “real retreat ” Give me a personal feeling