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立足戏曲文本从根本上讨论男权语境中的女权意识问题,无论单方面考察男性权力话语对戏曲的渗透,还是单方面关注戏曲对女性权利争取的表达,①都是不够的。因为,在五光十色的中国戏曲文本里,两种性别话语交叉而彼此难解难分的例子时时可见。倘在不太严格意义上借用巴赫金的说法,这可谓是一种悖反式双声部“复调
Based on the opera texts, the issue of feminist awareness in the context of patriarchal rights is fundamentally discussed. Whether unilaterally examining the infiltration of male power discourses into traditional Chinese operas or unilaterally concerned about the expression of the rights of feminine rights by drama, these are not enough. Because in the colorful Chinese opera texts, the two kinds of gender discourse cross each other difficult to distinguish examples from time to time can be seen. If borrowing Bakhtin in a less rigorous sense, it can be described as a paradoxical double-polyphony