雪莱是英国十九世纪初最伟大的抒情诗人之一。他的诗作抒情性强,情感细腻,音韵和谐,意境高远富有浪漫主义气质。他的代表作《西风颂》,历来被视作世界诗歌中一块瑰宝,和抒情诗中的极品。全诗气势恢宏,文笔俊逸,想像新奇,结构严谨,对于这么一个从内容到形式,从语言到格律都非常完美的作品,要想把它移植过来,绝非易事。早在二十多年前郭沫若就把它译成中文,此后陆续出现近十种不同版本的译文。本文从中选取了上世纪中国社会不同发展阶段,非常具有影响力和代表性的译文,从语言特色、表达形式、艺术风格等方面结合雪莱诗歌本身的艺术特色进行比较分析,探讨其不同的翻译方法对原诗的把握,并在此基础上,探讨译文的得失,希望为进一步提高英诗汉译水平提供借鉴。 Shelley is one of the greatest lyric poets of the early nineteenth century in the United Kingdom. His poems are lyrical, delicate and delicate, harmonious in rhythm, high in artistic conception, romantic and romantic. His masterpiece “Ode to the West Wind” has always been regarded as a treasure in the world of poetry, and the best of the lyrics. The poem magnificent, writing Toshio, imagine the novelty, rigorous structure, for such a content from the form, from the language to the law are very perfect works, in order to transplant it, is not easy. As early as 20 years ago Guo Moruo put it translated into Chinese, then appeared in nearly ten different versions of translation. This essay selects the most influential and representative versions of the Chinese society at different stages of development in the last century. It makes a comparative analysis of Shelley ’s own artistic features from the aspects of language features, forms of expression and artistic style, and discusses its different translations Method of the original poem, and on this basis, to explore the pros and cons of translation, hoping to further improve the level of English poetry translation to provide reference.