“轮指”演奏的基本方法有两种。第一种是用小指、名指、中指、食指次第向左弹出,然后大指向右挑进,叫“下出轮”,因为它是先从下面的小指开始做动作。第二种是从上面的食指开始动作,食指、中指、名指、小指次第向左弹出,然后大指向右挑进,叫“上出轮”。两种轮指以手指动作的顺序而得名。上出轮与下出轮各有不同的作用,不同的处理方法与要求。在文套琵琶曲中,轮指必须使发出的乐音无暴响,五个手指一般不作伸直运动,这对于下出轮来说较易做刘。因为下出轮善于发出细致柔和、轻清圆捷之音,所以多用下出轮演奏。在武套琵琶曲中,轮指出音不能 There are two basic ways to play a round of fingers. The first is to use the little finger, name finger, middle finger, index finger next to the left pop-up, and then point the right big pick, called “next round”, because it is the first from the little finger below to do the action. The second is from above the index finger to start the action, the index finger, middle finger, first finger, little finger to the left after the first pop, then big right to pick in, called “on the round.” Two wheel fingers are named after the sequence of finger movements. On the wheel and under the wheel have different roles, different treatment methods and requirements. In a set of pipa music, the wheel finger must make the sound of the sound not loud, five fingers generally do not exercise straight, which is easier for the next round of Liu. Because under the wheel is good at sending a detailed soft, light and clear voice, so use the next round of performance. In Wu Tao pipa, the wheel can not be pointed out