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汪曾祺的小说一向以和谐和温馨著称,他本人也曾说过“我所追求的不是深刻,而是和谐”1。因此,人们往往对他的作品有种美而浅显的感觉。然而作为一个经历了中国20世纪几乎所有的政治运动的知识分子,当他重拾旧笔来回味咀嚼那段历史,这其中分明浸透着作家对社会的深刻认识,沉淀着作家对人生的感悟。本文试图从这个角度,向大家展现一个具有悲剧意识与悲剧意绪的汪曾祺以及在他的小说中所体现出的独特的悲剧艺术。
Wang Zengqi’s novel has always been known for its harmony and warmth, and he himself once said: “What I seek is not profound, but harmony.” Therefore, people often have a beautiful and simple feeling about his work. However, as an intellectual who experienced almost all of the political movements in China in the 20th century, when he regained the old pen to chew that history, it clearly dwells on the writer’s deep understanding of society and settles the writer’s perception of life. This article tries to show from this point Wang Weizhi, a tragic consciousness and tragedy mood, and the unique tragedy art embodied in his novels.