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四川油画第一次引起广泛关注是在1980年代初期。当四川美院77、78级的程丛林、高小华、罗中立、何多苓、王亥、王川、周春芽等纷纷在第五届全国美展、第二届全国青年美展、四川美术学院油画赴京展、《美术》杂志、青年油画工作者创作座谈会、全国高等艺术院校美术创作教学座谈会等重要空间被展示和讨论的时候,这批青年艺术家成为了中国“伤痕”美术、“乡土”美术的重要代表,四川油画也因此而异军突起,一跃成为中国油画的重镇,这标志着中国油画一个新时代的来临,“四川画派”也成为一个描述四川油画的专有新名词被广泛传播。四川油画的第二个高峰期从1990
For the first time, Sichuan oil paintings attracted wide attention in the early 1980s. When the Sichuan Academy of Fine Arts 77,78 Cheng Conglin, Gao Xiaohua, Luo Zhongli, He Duoling, Wang Hai, Wang Chuan, Zhou Chunya and so on in the Fifth National Art Exhibition, the Second National Youth Art Exhibition, Sichuan Academy of Fine Arts Oil Painting Exhibition , “Fine Arts” magazine, youth oil painting creation symposium, and art symposium on fine arts creation in the National Higher Art Institute were displayed and discussed. These young artists became the art of “Scar” in China, S Republic of China “, Sichuan oil painting has also emerged as a distinct force and thus has become the key town of Chinese oil painting. This marks a new era for Chinese oil painting.” Sichuan Painting School "has also become a special description of Sichuan oil painting New term is widely spread. The second peak of Sichuan oil painting from 1990