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中国传统文学的叙事视角往往以全知视角为主,而现代小说家致力于谋求叙事文学视角的多样化,但是金庸坚持中国传统文学的叙事视角的特点,并且进行了创造性发挥,使他的作品的叙事视角以全知叙事为主的同时,又不拘泥于某一种单一的全知叙事模式,形成了以无所不知为主、限制视角的流动和围绕一个焦点以内聚型视角形成的三种不同的全知叙事模式,这种多模式的全知视角的尝试使其作品在向传统回归的同时又不拘泥于传统,形成其独特的视角特点。
The narrative perspective of Chinese traditional literature is often dominated by omniscience perspectives, while modern novelists are devoted to pursuing the diversification of narrative literary perspectives. However, Jin Yong insists on the characteristics of the narrative perspective of Chinese traditional literature and creatively displays his works While the narrative perspective is based on omniscient narration, it does not rigidly adhere to a single mode of omnipotent narration. It forms three kinds of different forms of omnipotence and restriction of perspective flow and a cohesive perspective around a focal point The omniscient narrative model, an attempt of this multi-mode and omniscient perspective, makes his works return to the tradition without becoming muddied with tradition and forming his unique perspective.