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开头从现代的观点看,《聊斋》中可以称得上严格意义的短篇小说,约有一百八十篇左右.篇幅约占十分之九。“每篇各具局面,排场不一,意境翻新,令读者每至一篇,另长一番精神.如福地洞天,别开世界;如太池未央,万户千门;如武陵桃园,自辟树落”.(冯镇峦《读聊斋杂说》)。《聊斋》开一代短篇小说的先河,如此妙舌灵心,绚丽多彩,感情、哲理、情致、趣味无不俱备,不仅三百年前是绝无仅有的杰作,就是排入今天的世界名作之林,也同样发出奇光异彩,并不因而逊色.它甚至有今人所不能及的地方,那就是形式的“短”和内容的“精”.给我们以最突出的印象.《聊斋》的短篇小说,短的篇幅仅三二百
At the beginning, from a modern point of view, there are about 180 short stories in Liaozhai, which can be said to have a strict meaning, about nine-tenths of the length. “Each with its own situation, different positions, the mood refurbished, so readers every one, another longer spirit, such as blessing, do not open the world; such as Tai Chi Weiyang, thousands of thousands of door; Plum trees. ”(Feng Zhenluan“ read chat Zhai Miscellaneous ”). Liao Zhai opened the first generation of short stories, so clever and hearty, colorful, emotion, philosophy, loveliness and fun are all ready, not only three hundred years ago is the only masterpiece is to enter today’s world masterpiece of the forest, It is also the place where people can not, it is the form of “short” and the content of “fine.” Give us the most prominent impression. “Liao Zhai” short story The novel, short space only three two hundred