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引言新诗到底是什么?应该如何写作和鉴赏?“本体”形态的现代汉语诗歌(以下简称“现代汉诗”)到底怎样?现代汉诗的生成机制和审美效果如何实现……这些问题难有终结的答案但又不能不停止追问。长期以来,大陆文学对诗歌的意识形态的功能性需求,既遮蔽了自身对诗歌本体话语的建构,也拦阻了海外学者在这一问题上已经取得的成果的传播。20世纪80年代中后期,随着政治意识形态氛围的宽松和学术研究的逐渐专业化、规范化,学界对于现代诗歌本体话语建构的需求和努力也渐渐显明。在对“新诗”进行本体反思的话语建构中,台湾的叶维廉先生(1937年生,1963年赴美)以其《中国诗学》等著作引人注目,促使人重新
Introduction What is New Poetry in the End? How to Write and Appreciate? In the end what is the modern Chinese poem in the form of “Noumenon” (hereinafter referred to as “Modern Chinese Poetry”)? How are the generation mechanism and aesthetic effect of modern Chinese poetry realized? Difficult to answer the end of the question but can not stop asking. For a long time, the functional needs of Chinese literature for the ideology of poetry not only obscured its own construction of the discourse of poetry itself, but also impeded the dissemination of the achievements already made by overseas scholars on this issue. In the mid and late 1980s, with the liberalization of political ideology and the gradual specialization and standardization of academic research, the needs and efforts of academics in the construction of modern discourse ontology discourse gradually became clear. In the construction of the discourse of the ontology reflection on “New Poetry ”, Taiwan’s Ye Weilian (born in 1937 and 1963 to the United States) drew attention to his “Chinese Poetics”