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审视古代中西的诗歌理论,可发现对宗教中的神秘体验是重要课题之一。在中国,这种神秘宗教体验逐渐融入了人们的日常生活当中,最终流变成了具有艺术审美意趣的禅境。本文认为,融入日常生活中的禅境,是一种空灵无极的自由境界,是一种平和淡定、不悲不喜、清澈空灵的状态,是大自由、大解放,也是具有审美意趣的艺术境界。这种空灵无极的自由境界是人类生存的终极目标,是设计的最终归旨,它决定了设计美的形态应表现为空、灵、朴、悦。这在中国古代的设计艺术中得到了充分的体现,也促成了中国古代设计艺术精华部分的形成。可自近现代以来,这一传统精华出现了流失的危机。如何通过具有时代感的设计语言去阐释中国传统的空灵朴悦的设计美?这是当今设计师所要面对的重要课题之一。
Looking at the ancient Chinese and Western poetry theory, we can find that the mysterious experience in religion is one of the important topics. In China, this mystical religious experience gradually merged into people’s daily life, and eventually turned into a Zen landscape of artistic aesthetic interest. This article argues that the integration into the daily life of the Zen landscape is an ethereal free realm. It is a kind of peace and calm, does not sad do not like, clear and ethereal state, is a free, liberated, but also with the aesthetic interest of the art realm . This eternally free state is the ultimate goal of human existence and the ultimate goal of design. It determines that the form of design beauty should be characterized as emptiness, spirit, simplicity and joy. This has been fully reflected in ancient Chinese design art and also contributed to the formation of the quintessential part of ancient Chinese design art. Since the modern era, this traditional essence has seen a crisis of loss. How to interpret the ethereal design beauty of Chinese tradition through the contemporary design language? This is one of the most important topics for today’s designers.