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本文试图从精神分析学说中心理创伤的视角来观察残雪先锋派时期小说中的语言与叙事模式及其与作者童年经历之间的联系。通过对残雪几篇代表作的分析,本文从几个不同面向探讨(包含暴力与宏大的主导象征的)创伤记忆如何在残雪小说中显示为对意象、事件、行为、社会的超现实征兆。也就是说,残雪的先锋派写作并不是纯文学的形式实验,而是深刻复杂的历史书写,将主体的历史性蕴含在叙事语言的破碎和扭曲上,营造出各种乖戾、惊恐、危险的人际互动形态。
This article attempts to observe the language and narrative patterns in Can Xue’s novel and its relationship with the author’s childhood experiences from the perspective of psychic trauma in psychoanalysis. Through the analysis of several representative works of Can Xue, this essay explores how the traumatic memory (including violence and grand dominant symbolism) appears as a surreal symptom of images, events, behaviors and society in Can Xue’s novels from several different aspects. In other words, Can Xue’s avant-garde writing is not a formal experiment of pure literature, but a profound and complicated historical writing, which implies that the subject’s historicity is contained in the fragmentation and distortion of the narrative language to create all kinds of obscurity, fright and danger Interpersonal interaction form.