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时代的烙印是不会磨灭的,越是久远便越是清晰。上个世纪下半叶,特别是电脑未普及、互联网未出现之前,书法艺术是以实用为主流的。因此,很多人为简化字的书写美观、便捷而努力,硬笔书法也应运而生,即便是毛笔书法也是以楷书和行书为主的。梁鼎光先生便是一个典型的例子,走的是软硬兼施、雅俗共赏之路。梁氏上个世纪60年代初开始追随岭南名家麦华三先生学艺20多年,功在小楷,于钟繇、“二王”书法得力最多,妍美华丽、玉树临风。有
The imprint of the era will not be obliterated, the more the longer the more clear. The second half of the last century, especially the computer is not universal, the Internet did not appear before, calligraphy art is practical as the mainstream. Therefore, many people calligraphy and writing hard to simplify writing beautiful, convenient and hard work, but also brush writing is also based on regular scripture and practice. Mr Leung Ting-kwong is a typical example, taking the path of both soft and hard and elegant and vulgar. Liang in the early 60s of last century began to follow the academician Mr. Ma Hua San Lingnan famous art for more than 20 years, work in the lower case, in Zhong Kui, “two kings ” most effective calligraphy, Yan Mei gorgeous, jade tree. Have