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关良之所以在中国近现代美术史上占有一席之地,时论聚焦点往往集中于其古典戏曲题材水墨画。但绝大部分属于鉴赏式的品读文章——极少从严肃的史学角度出发对关氏的水墨戏剧画的源生、发展进行考量。本文试图在梳理、辨析相关史料的基础上,以期最大可能地还原关良中国水墨画实践的发展脉络,并借鉴现有民俗学的研究方法和成果,对关氏这种特殊的艺术样式的生成背景作一番探究。
The reason why Guan Liang occupies a place in the history of modern Chinese art is that the focus of his time focuses on his classical Chinese dramas. However, most of them belong to the appreciation of reading articles - very rarely from a serious historical point of view of Kuang’s ink painting drama origins, development considerations. On the basis of combing and analyzing the relevant historical materials, this paper attempts to restore the development vein of Guan’s Chinese ink and wash painting practice to the greatest extent possible, and draws lessons from the research methods and achievements of the existing folklore, and analyzes the background of the formation of Guan’s special artistic style For some exploration.