论文部分内容阅读
我从大学本科到研究生的学习一直是以“艺术”为课题的,在此期间的所有作品,比如《观念二十一》、《宇宙牌幸福鸡》、《自我放逐》、《世界爱滋病日在北京》、《给艺术一手指》、《你愿意和我握手吗?》等等,均是在艺术圈内传播的。当然这和社会现状有直接的关系,存在着一个当代艺术的合法性问题,但我觉得最大的问题可能是社会群体对艺术、艺术家和艺术品的很大的距离感,绝大多数人依然认为艺术是可望不可及的。从我的个人经历来说,已然被冠以一个“艺术家”的头衔,这其实相当妨碍我的工作发展。有关艺术与社会群体的关系问题其实是目前很多当代艺术家们都在关注的问题,因为有了这样的意识,所以我从《观念二十一》到《你愿意和我握手吗?》,在一步步地从一个相当专业的题目发展到非常直接通俗又相对宽泛的意愿表达,力图完成从专业性向社会性的转变。
My studies from undergraduate to postgraduate have been the subject of “art”. All my works during this period, such as “Concept 21”, “Happy Universe Chicken”, “Self Exile”, “World AIDS Day Beijing, ”“ Give Art One Finger, ”“ Would you like to shake my hand? ”And so on, all of which are disseminated within the art world. Of course, this is directly related to the status quo in the community. There is a question of the legitimacy of a contemporary art. However, I think the biggest issue may be the great sense of distance society has over art, artists and works of art. Most people still think Art is beyond reach. From my personal experience, it has already been branded as an “artist.” This actually quite hinders my job development. The question of the relationship between the arts and the social groups is actually a matter of concern to many contemporary artists. With this awareness, I am going from “Concept 21” to “Would you like to shake my hand?” Step by step from a very professional subject developed to a very direct and relatively broad popular wishes, trying to complete the professional to social change.