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奥尼尔是一位具有深刻悲剧意识的剧作家。以奥尼尔的生平为线索,分析了剧作家的生活与其悲剧艺术创作的相互关系。奥尼尔的悲剧意识既来自于其一生悲剧似的经历、他与家人以及家人与家人之间的爱恨交织的情感因素,因为这些为其悲剧艺术创作提供了丰富的素材和积淀了深厚的悲剧基础;同时其悲剧意识也深受叔本华、尼采、古希腊悲剧以及弗洛伊德的精神分析理论等的影响。生活是艺术之本源,而艺术则反映现实生活。奥尼尔不断进行自我探索和自我认识,在其悲剧艺术创作中,他把个人和家庭的悲剧上升到人类悲剧意识的高度,从而赋予人生一种崇高的悲剧精神。
O’Neal is a playwright with a deep sense of tragedy. Taking O’Neill’s life as a clue, this paper analyzes the relationship between dramatist’s life and his tragedy art creation. O’Neill’s sense of tragedy comes not only from his tragedy-like life experience, his love-hate relationship with his family, family and family, but also because of the rich traumatic material and accumulated deep tragedy foundation At the same time, his awareness of tragedies is also influenced by Schopenhauer, Nietzsche, the ancient Greek tragedy and the psychoanalytic theory of Freud. Life is the source of art, while art reflects real life. O’Neill constantly conducts self-exploration and self-awareness. In his tragedy art creation, O’Neill raised the tragedy of individuals and families to the height of human tragedy consciousness, thus giving life a lofty tragedy.