包括电视批评在内的中国当代电视理论和电视事业的发展,处于一个十分复杂的社会语境中。这种复杂,集中地体现在中国电视的发展面临着四大悖论:文化产业与文化工业的碰撞和紧张、人文精神与世俗精神的碰撞和紧张、产业化与商业化的碰撞和紧张、本土化与同质化的碰撞和紧张。有趣的是,这些悖论在当代的中国都是在一个时间 The development of Chinese contemporary television theory and television, including television criticism, is in a very complicated social context. This complex and concentrated manifestation of the development of China’s television is facing four paradoxes: the collision and tension between cultural industries and cultural industries, the collision and tension between the humanistic spirit and the secular spirit, the collision and tension between industrialization and commercialization, the local Collision and tension with homogenization. Interestingly, these paradoxes are at a time in contemporary China