我不想掩饰我的感情——每当看到一出令我折服的好戏,作为同行,我情不自禁要产生几分妒意。要命的是,每次看完王老贵导的戏(圈子里的人都不叫他王贵,一声“王老贵”,彼此亲近了许多),我是必妒无疑。从《陈毅出山》《九·一三事件》(下集)《周郎拜帅》到《WM》(《我们》),我的妒意一次胜似一次,并且由妒生爱。我爱王老贵其人,也爱王老贵导的戏。确乎,文如其人,戏如其人,一个导演实践家。总是用他的作品——他所排的戏来发言, I do not want to hide my feelings - whenever I see a play I am convinced that as a colleague, I can not help but be somewhat jealous. What is terrible is that every time I read the play guided by Wang Laogui (circle of people do not call him Wang Gui, “old man”, close to each other a lot), I am jealous no doubt. From “Chen Yi goes out of the mountains” “September 13 incident” (set) “Paladin Lang” to “WM” (“us”), my jealousy is once again worthy of love, and by jealous love. I love Wang Laogui his people, but also love the old man lead your play. Indeed, the text as people, play as one, a director of practice. He always speaks with his work, the one he plays,