严峻、动荡、神秘、压抑与骚动的1976年,无疑给 每一个亲身经历过这一历史时期的中国人都留下了终生难忘的心灵震动。如果说,七十年代末中国当代文学曾掀起过被人们称之为“伤痕文学”的创作激流的话,那么,与之相随的,音乐创作也仿佛出现过一个虽然为时不太长,但却不能说数量不丰的,在情感表达和内容取材上与之相仿的热潮。就管弦乐体裁方面,单以“1976年”为题的作品就有霍存慧、李序、刘锡津 Grim, turmoil, mystery, depression and commotion in 1976 undoubtedly left an unforgettable spiritual vibration to every Chinese who experienced this historic period. If we say that contemporary Chinese literature in the late seventies once set off a torrent of excitement that people call “scotch literature,” then the accompanying musical creation seems to have taken a while not too long, But can not say that the number is not abundant, in the emotional expression and content drawn on the same upsurge. In terms of orchestral genres, the works titled “1976” are Huo Cun-hui, Li Xu, Liu Xi-jin