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在我国学界 ,大规模地编写中国少数民族文学史始于 50年代末 ,并形成了 60年代初和80至 90年代两次写作高潮。中国少数民族文学史的写作主要是一种以本土化的“启蒙现代性”即“革命现代性”意识形态和话语形式为主导的政府官方学术行为 ,但这并未彻底排除民族群体和学者个人在其中的意愿表达。“写作”在象征的层面转述了“中华民族”这一民族国家现代性方案的实质内容 ,其中包括 :如何实现民族传统与现代国家意识形态的理性整合 ,以及国家、民族、个人之间的权力关系。
In our field of study, the history of the large-scale compilation of Chinese minority literature began in the late 1950s and culminated in the writing of the early 1960s and the 1980s and 1990s. The writing of the history of Chinese minority literature is mainly a kind of official academic behavior of the government dominated by the localized “Enlightenment Modernity” or “revolutionary modernity” ideology and discourse style. However, this does not completely eliminate the ethnic groups and scholars In which the wishes expressed. At the symbolic level, “writing” refers to the substantive content of the “Chinese nation” as a program of modernity in the nation-state, including how to achieve the rational integration of national tradition and modern state ideology and the power among nations, nations and individuals relationship.