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新感觉派小说是20世纪30年代上海最重要的小说流派,它记录着上海灯红酒绿的舞厅、琳琅满目的商品、纸醉金迷的生活,它反映了上海在资本主义的冲击下都市化的过程,也反映了上海在都市化过程之中对人们内心所造成的冲击和影响。笔者认为,新感觉派小说中透露了非常明显的男性身份焦虑意识,而在中西文化碰撞之下所表现出来的文化认同焦虑非常突出,也是一个非常值得探讨的问题。本文将运用相关理论知识,对有关文本做细致的分析,挖掘其中所隐含的男性文化认同焦虑。
The new sensational novel is Shanghai’s most important genre of novels in the 1930s. It records the glittering Shanghai ballroom, the dazzling array of commodities, and the dazzling life. It reflects Shanghai’s urbanization process under the impact of capitalism and reflects the Shanghai in the process of urbanization on the people’s hearts caused by the impact and impact. The author believes that the new sensationalism novel revealed a very clear awareness of male identity anxiety, but cultural identity anxiety manifested under the collision of Chinese and Western cultures is very prominent, but also a very worthy of discussion. This article will use the relevant theoretical knowledge, to do a detailed analysis of the relevant texts, mining the implicit male cultural identity anxiety.