20世纪80年代,大凉山藏在深闺人未识。那时的大凉山留给叶文夫的印象,就像一张原始的黑白照片,没有一丝一毫人为的痕迹。初见大凉山的时候,特有的荒凉与寂静,深深地铭刻在叶文夫的记忆深处,也点燃了他以后创作的激情。自从叶文夫三进大凉山之后,一些善良而又淳朴的彝族人的身影在他的中国画作品中不断涌现。一件棕黄色的皮上衣和一条土黄色的左 80s of the 20th century, Daliangshan hidden in purdah did not know. At that time, Dae Liangshan left Ye Wenfu’s impression like an original black-and-white photo with no trace of human trace. First saw Daliangshan, unique desolation and silence, deeply engraved in Ye Wenfu’s memory, but also ignited his passion after creation. Since Ye Wenfu entered San Liangliangshan, some kind and honest Yi people have emerged in his paintings of Chinese paintings. A brown leather jacket and a khaki left