我写故去的一位同事,他在我们作家协会,既不是作家,也不是编辑,在职后期就做些杂事。但他是一位地地道道的老知识分子。还得再加个但是,据我观察,他在职的最后几年,很平常,很平淡,没有什么引人注目的地方。那么,我为什么写他?我觉得他的人生富有传奇色彩,可以说是戏剧人生。说他是戏剧人生,再贴切不过了,他一生的荣辱与戏剧相关。他曾经在中国戏剧家协会武汉分会工作,担任会刊《武汉戏剧》编辑。 One of my colleagues who wrote the story, he is an author association, is neither a writer nor an editor, and does some chores during his later career. But he is an outdated old intellectual. I still have to add another. However, as far as I can observe, the last few years of his inauguration are very ordinary, very plain and have little prominence. So, why did I write him? I think his life is legendary, it can be said that drama life. To say that he is a dramatic life is no more relevant, and his life’s honor and disgrace relate to theater. He used to work in the Wuhan Branch of the Chinese Dramatists Association as editor of the Wuhan Drama.