自古代以来,任何关于艺术的历史描述都紧密关联着那些同样离不开艺术史的艺术观念。古代修辞学发展出的风格理论规定了不同的历史发展模式,这些模式比之传统历史的叙事方式显得更为有力。阐释者应当感谢文学和造型艺术中风格的兴起乃至衰落,他们由此获得了揭示什么是艺术的机会,得以制定某种标准或者范型。在这种观念下,具有唯一性的艺术品成为了艺术标准形成道路上的一个驿站。如果这一标准在一件艺术品上没有完全得到体 Since ancient times, any historical description of art has been closely linked with the notion of art that is also inseparable from art history. The style theory developed by ancient rhetoric dictates the different modes of historical development that appear to be more powerful than the narratives of traditional history. The interpreter should be grateful for the rise and even the decline of the genre in literature and plastic arts, from which they gain the opportunity to reveal what art is and to develop a standard or paradigm. Under this concept, the unique artwork has become a post on the road to the formation of the art standard. If this standard is not fully achieved on a work of art