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歌剧《楚霸王》是金湘教授接受上海歌剧院的委托而创作的,于1994年首演就获得了成功。歌剧本是西方的舞台戏剧形式,金湘教授在创作剧情时,采用了歌剧的手法,但是并不局限于传统的西方歌剧,而是在歌剧的音乐处理上进行了深入探索,使得该歌剧表演中,音乐的主导作用得以充分发挥。特别是随着剧情的展开,音乐呈现出多样性,包括人物的形象,剧情的矛盾冲突等等,都通过音乐形式表现出来。本论文针对歌剧《楚霸王》的音乐呈现展开研究。
The opera “King Chu” was created by Professor Jin Xiang under the commission of the Shanghai Opera House and achieved a premiere in 1994. Opera script is the western form of stage drama. Professor Jin Xiang used the technique of opera in the creation of the story, but not limited to the traditional western opera. Instead, he explored the opera music and made the opera perform In, the dominant role of music to give full play. Especially with the development of the plot, the music presents a diversity, including the image of the characters, the contradictions of the plot and so on, which are all manifested through the form of music. This thesis aims at the music presentation of opera “Chu Bawang”.