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20世纪30年代以上海空间为故事发生地的电影展现了现代都市一系列的现代性事物、现代性的生产景观以及个体在现代空间遭遇的现代性体验,也展现了民族和阶级诉求中的民族独立和社会解放等一系列现代价值观念,既生产出了三十年代的上海形象,也寄寓了自晚清以来的“乡土中国”在现代化进程中对构建现代中国的想象,从而成为了“乡土中国”追求现代化的一个缩影。
In the 1930s, Shanghai’s space as the place where the story took place shows a series of modern things in modern metropolis. The production landscape of modernity and the experience of modernity experienced by individuals in modern space also show the nationality and the demands of class demands Independence and social emancipation have produced not only the image of Shanghai in the 1930s but also the image of the “native China” since the late Qing Dynasty in building modern China in the process of modernization, thus becoming the “Native China ” A microcosm of the pursuit of modernization.