论文部分内容阅读
Question： When was the first time that you thought of becoming a mangaka[日本漫画家] and why？
Kishimoto： At some point between second and fourth grade I got into Akira Toriyama’s Dr. Slump and Dragon Ball注. I loved his characters. Also， his art really appealed to[有吸引力] me. There was something about his cartoony[卡通化] drawing style that felt right. I thought to myself， I wanted to become like him.
Q： Compared to when you first started， how do you think you’ve grown and changed both as an artist and person？
K： During my career as a mangaka， I got married， had kids and became a father. This directly influenced[影响] the story in Naruto. Through these experiences， I realized the things that are important in the world.
提问：你是在什么时候第一次萌生当个漫画家的想法呢，为什么会有这样的想法？岸本：从二年级到四年级，有段时间我迷上了鸟山明的《阿拉蕾》和《七龙珠》。我很喜欢他笔下的角色，同时他的创作深深吸引着我，在他那种卡通化的画风里有些东西让我感觉特别棒。我不禁心想，我也想成为像他那样的人。
问：和你刚开始连载那时比起来，作为一个漫画家以及作为一个人，你觉得自己成长了多少，改变了多少？
岸：在漫画家这段职业生涯里，我结了婚，有了孩子，当上了父亲，这对《火影忍者》的故事产生了很直接的影响。透过这些经历，我才认识到这个世界上最重要的事情是什么。
The character Naruto represents[代表] a little bit of
myself and a little bit of my child. It was after my child was born that I wanted to write about Naruto’s parents. The way Naruto’s parents feel about him is very close to how I feel towards my kids. Even if I died someday， I want to leave a work in the world that would let my kids understand what I always wanted to tell them.
Q： What is your feeling toward Sasuke， who has gone through drastic[激烈的] change throughout the series？
K： Sasuke is always in the corner of my mind. Naruto and Sasuke progress[前进，生长] as a pair. So when I write about Naruto， I always have to think about Sasuke. They are on opposite[相反的] sides of the spectrum[系列]， like yin and yang.
Q： The Akatsuki are one of the most colorful and intriguing[有趣的] groups of villains[恶棍] in any manga. Why did you create the Akatsuki？ Do you have a favorite？
K： Itachi， Sasuke’s brother， is my favorite. The Akatsuki is an anti-hero group who are pitted[使竞争] against the main characters in Naruto. But I didn’t want to just make them villains， because I thought there should be different reasons as to why they became outlaws[罪犯] against society. I wanted to explore their backgrounds just as much as I would for the heroes.
Q： When people read your manga， what do you hope they’ll take away from it？
K： In real life， it’s hard for people to understand each other because of things like differences in culture or upbringing[教养]. As you grow up， you start to see that sometimes things in life don’t go right. But I created Naruto to tell the younger generation that although there’s hardship in life， you can get along. Other than that， I would rather let the readers themselves find out what they can get from Naruto.
鸣人这个角色，有一点我自己的影子，也有一点我家小孩的影子。也就是在我孩子出生以后，我才会想写鸣人父母的故事。鸣人父母对他的感情就和我对自己孩子的感情相去无几。哪怕有一天我死了，我依然想在这个世上留下这么一部作品，让孩子们明白到我一直以来想告诉他们的事情。
问：佐助在故事当中发生了如此之大的变化，你现在对他是怎么看的呢？
岸：我在心底里一直惦记着佐助。鸣人与佐助两人是一起成长的，所以每当我描写鸣人的时候，也总会考虑一下佐助（的情况）。他们俩就是这个系列里截然相反的两端，就像“阴”与“阳”一样。
问：晓组织可以说是漫画作品当中最多姿多彩、有趣迷人的坏蛋组合之一。为什么你会构思出“晓”？（在他们当中）有哪个是你喜欢的吗？
岸：我最喜欢的是佐助的哥哥——鼬。“晓”是一个反派组织，在《火影忍者》中与主角他们势不两立。但我并不想单纯地将他们刻画成坏人，因为我觉得，他们会变成反社会罪犯是出于各种不同的因由。我想进一步挖掘这群人的背景故事，就像挖掘主人公他们的故事一样。
问：大家在看你的漫画时，你会希望他们从中学到些什么东西呢？
岸：在现实生活当中，由于文化差异又或是教育方式等等因素，人们很难做到互相理解。长大以后，你开始发现，有时候生活中很多事情都会出现问题。但我创作《火影忍者》正是为了告诉年轻一代——尽管人生时有困境，你总能继续前行。除此以外，我更希望读者自己找出他们能从《火影忍者》当中学到的东西。
注：鸟山明，日本著名漫画家。他的成名作《阿拉蕾》和代表作《七龙珠》在全世界都极受欢迎，广受赞誉。
Kishimoto： At some point between second and fourth grade I got into Akira Toriyama’s Dr. Slump and Dragon Ball注. I loved his characters. Also， his art really appealed to[有吸引力] me. There was something about his cartoony[卡通化] drawing style that felt right. I thought to myself， I wanted to become like him.
Q： Compared to when you first started， how do you think you’ve grown and changed both as an artist and person？
K： During my career as a mangaka， I got married， had kids and became a father. This directly influenced[影响] the story in Naruto. Through these experiences， I realized the things that are important in the world.
提问：你是在什么时候第一次萌生当个漫画家的想法呢，为什么会有这样的想法？岸本：从二年级到四年级，有段时间我迷上了鸟山明的《阿拉蕾》和《七龙珠》。我很喜欢他笔下的角色，同时他的创作深深吸引着我，在他那种卡通化的画风里有些东西让我感觉特别棒。我不禁心想，我也想成为像他那样的人。
问：和你刚开始连载那时比起来，作为一个漫画家以及作为一个人，你觉得自己成长了多少，改变了多少？
岸：在漫画家这段职业生涯里，我结了婚，有了孩子，当上了父亲，这对《火影忍者》的故事产生了很直接的影响。透过这些经历，我才认识到这个世界上最重要的事情是什么。
The character Naruto represents[代表] a little bit of
myself and a little bit of my child. It was after my child was born that I wanted to write about Naruto’s parents. The way Naruto’s parents feel about him is very close to how I feel towards my kids. Even if I died someday， I want to leave a work in the world that would let my kids understand what I always wanted to tell them.
Q： What is your feeling toward Sasuke， who has gone through drastic[激烈的] change throughout the series？
K： Sasuke is always in the corner of my mind. Naruto and Sasuke progress[前进，生长] as a pair. So when I write about Naruto， I always have to think about Sasuke. They are on opposite[相反的] sides of the spectrum[系列]， like yin and yang.
Q： The Akatsuki are one of the most colorful and intriguing[有趣的] groups of villains[恶棍] in any manga. Why did you create the Akatsuki？ Do you have a favorite？
K： Itachi， Sasuke’s brother， is my favorite. The Akatsuki is an anti-hero group who are pitted[使竞争] against the main characters in Naruto. But I didn’t want to just make them villains， because I thought there should be different reasons as to why they became outlaws[罪犯] against society. I wanted to explore their backgrounds just as much as I would for the heroes.
Q： When people read your manga， what do you hope they’ll take away from it？
K： In real life， it’s hard for people to understand each other because of things like differences in culture or upbringing[教养]. As you grow up， you start to see that sometimes things in life don’t go right. But I created Naruto to tell the younger generation that although there’s hardship in life， you can get along. Other than that， I would rather let the readers themselves find out what they can get from Naruto.
鸣人这个角色，有一点我自己的影子，也有一点我家小孩的影子。也就是在我孩子出生以后，我才会想写鸣人父母的故事。鸣人父母对他的感情就和我对自己孩子的感情相去无几。哪怕有一天我死了，我依然想在这个世上留下这么一部作品，让孩子们明白到我一直以来想告诉他们的事情。
问：佐助在故事当中发生了如此之大的变化，你现在对他是怎么看的呢？
岸：我在心底里一直惦记着佐助。鸣人与佐助两人是一起成长的，所以每当我描写鸣人的时候，也总会考虑一下佐助（的情况）。他们俩就是这个系列里截然相反的两端，就像“阴”与“阳”一样。
问：晓组织可以说是漫画作品当中最多姿多彩、有趣迷人的坏蛋组合之一。为什么你会构思出“晓”？（在他们当中）有哪个是你喜欢的吗？
岸：我最喜欢的是佐助的哥哥——鼬。“晓”是一个反派组织，在《火影忍者》中与主角他们势不两立。但我并不想单纯地将他们刻画成坏人，因为我觉得，他们会变成反社会罪犯是出于各种不同的因由。我想进一步挖掘这群人的背景故事，就像挖掘主人公他们的故事一样。
问：大家在看你的漫画时，你会希望他们从中学到些什么东西呢？
岸：在现实生活当中，由于文化差异又或是教育方式等等因素，人们很难做到互相理解。长大以后，你开始发现，有时候生活中很多事情都会出现问题。但我创作《火影忍者》正是为了告诉年轻一代——尽管人生时有困境，你总能继续前行。除此以外，我更希望读者自己找出他们能从《火影忍者》当中学到的东西。
注：鸟山明，日本著名漫画家。他的成名作《阿拉蕾》和代表作《七龙珠》在全世界都极受欢迎，广受赞誉。