山水画自隋唐形成独立画科开始,就体现着社会的审美情趣和人文思想。山水画中的点景从那时起便有了鲜明的时代特征。点景,顾名思义有点明画意或点缀画面之意,是一幅画画眼所在;其在画面占比虽微,却是揭示一幅作品思想内涵的点睛之笔,有展现作品的题目或主题的作用。宋代郭熙在《林泉高致》中谈道:“水以山为面,以亭榭为眉目,以渔钓为精神。故水得山而媚,得亭榭而明快,得鱼钓而旷落,此山水之布置也。”他赋予自然山水以人文精神。因而,山水画的点景成为意境塑造、传达画家人文精神和艺术追求及某种情感的载体。通 Since the beginning of the landscape painting, which formed an independent painting section from the Sui and Tang dynasties, it embodied the social aesthetic taste and humanistic thinking. Since then, the landscape in landscape painting has a distinctive period characteristics. Point of view, as the name suggests, a bit of meaning or embellishment of the meaning of the screen, is a painting where the eye; the proportion of the screen, although micro, but it is to reveal a piece of work the culmination of the ideological content, to show the title or theme of the work effect. Guo Xi in the Song Dynasty said in “Lin Quan Gao Zhi”: “Water is the face of mountains, pavilions are pavilions and fishing fishing is the spirit. Kuang, the layout of this landscape also. ”He gives the natural landscape with humanistic spirit. Thus, the landscape painting of the landscape as the mood shape, to convey the artist’s humane spirit and artistic pursuit and some kind of emotional carrier. through