老舍的《茶馆》是一部现实主义的杰作,但《茶馆》又运用了舞台假定性与超现实描写,既继承了中国传统戏曲的表演手法,又借鉴了西方现代派戏剧的艺术技巧,特别是将德国戏剧家布莱希特的戏剧理论运用其中,改变了中国现代话剧将斯坦尼斯拉夫斯基尊为“话剧的唯一创作方法”①的局面,超越了斯坦尼斯拉夫斯 Lao She’s “Teahouse” is a realistic masterpiece, but “Teahouse” also uses the stage hypothetical and surreal description, not only inherit the traditional Chinese opera performance techniques, but also draws on the western modernist theater art skills, especially Is the application of the theory of drama by German dramatist Brecht to the change of the modern Chinese drama that Stanislavsky honors “the only way of creating drama”, surpassing Stanislavs