杨重视用墨,几乎下笔即是落墨,传统没骨法的运用清晰地体现在《冬日暖阳》中,在以灰色调为主的画面上,墨痕代替线条,实现造型的功能,水墨的气韵充满整幅作品;同时,杨巧妙地抓住了造型与表现,感觉与精神的关系。画中老者疲倦的坐姿,微闭的双眼,其经历与性格清晰地展现出来。　　 Yang attached great importance to using ink and almost finished writing. That is to say, the traditional method of using no bone is clearly reflected in the warm winter sun. On ink-toned images, ink marks replace lines and realize the function of modeling. Filled with the entire work; the same time, Yang Qiao-Miao caught the shape and performance, the relationship between feeling and spirit. Painted in the elderly tired sitting, micro-closed eyes, its experience and personality clearly demonstrated.