龚贤的山水画艺术,是中国绘画史上一朵绚丽的奇葩。他的山水画经过了“白龚”、“灰龚”、“黑龚”三个阶段的发展,最终卓然独立,自成一家。在笔墨上,“积墨法”的使用贯穿其一生,伴随着其遗民情怀的转变,他的“积墨法”在晚年也达到了炉火纯青的程度,对于龚式墨法的解读对于当时和现世都有很大的意义。 Gong Xian’s landscape painting art is a brilliant flower in the history of Chinese painting. His landscape painting through the “White Gong”, “Gray Gong”, “Black Gong” three stages of development, the final Zoran independent, self-contained. On the brush and ink, the use of “ink-in-law” throughout its lifetime, along with the changes in the feelings of its descendants, his “ink-in-law” also reached a blaze of ignorance in his later years. And the world is of great significance.