“格物致知”作为程朱理学的核心思想之一,对我国宋明时期的文学艺术创作有着极大的影响。随着社会的发展,“格物致知”虽仍然作为国画的一道传统程序被保留在中国国画教育中,但其本源和具体理念已被多数人所忘却。文章以《梅花喜神谱》为例,通过分析“格物致知”思想在此谱中的运用及意义,解读了《梅花喜神谱》的本质,同时也揭示了格物思想在中国古代文学绘画领域中的应用。 As one of the core ideas of Cheng Zhu Neo-Confucianism, Gezhi Zhizhi has a great influence on literary and artistic creation in Song and Ming Dynasties. With the development of society, “Gezhi Zhizhi ” is still retained in Chinese traditional Chinese painting as a traditional procedure of Chinese painting, but its origin and concrete concept have been forgotten by most people. Taking “Meihua Xishenpu” as an example, this article analyzes the essence of “Meihua Xishenpu” by analyzing the meaning and application of the idea of ​​“Matter to be known” in this spectrum. At the same time, it also reveals that in the ancient Chinese literature Application in the field of painting.