时代是动荡的,道路是坎坷的,美梦是虚幻的。一九一一年,我生于山东半岛滨海的黄县农村。从小看到某些颜色或听到某些声音,心里总觉得有说不出来的滋味。尤其是对于声音,如象沙沙杨叶、货郎鼓声、鸟语等等,都拨动过自己的心弦。妈妈常说,在我三、四岁时,听秧歌入了迷,不肯回家吃饭。八岁,全家迁往青岛。在家里最吸引我的,是那架四组的簧风琴,可是父亲不许我动。我只好冒着挨打的风险,当父亲不在家的时候,把从街上听来的曲调在风琴上摸出来。进了小学之后,参加了“雅乐队”,演奏胡琴和竹笛,奏过《梅花三弄》等乐曲,听了年长的同学作节奏的变化穿插,很有趣。那时也听过“洋戏”(德国女高音独唱,钢琴伴奏),但是初次接触,印象不深。倒 The times are turbulent, the road is bumpy, and the dreams are illusory. In 1911, I was born in rural Huangpu of Shandong Peninsula. When I was young I saw some colors or heard some sounds, I always felt unspeakable. Especially for the sound, such as Shasha Ye leaf, drums drums, birds, etc., have set aside their heartstrings. My mother often said that when I was three or four years old, I heard Yangko became a fan and refused to go home for dinner. Eight years old, the family moved to Qingdao. My greatest attraction at home is the four-set melodeon, but my father forbade me. I had to run the risk of being beaten, and when my father was not at home, tune the tunes that came from the street to the organ. Into the primary school, participated in the “elegant band”, playing erhu and bamboo flute, played “plum blossom” and other music, listening to older students interspersed with changes in the rhythm, it is very interesting. At that time also heard “Western Opera” (German soprano solo, piano accompaniment), but the initial contact, the impression is not deep. inverted