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中国的历史剧从六七十年代的“政治史剧”、80年代的“文化史剧”、90年代的“人性史剧”一路蜕变而来,犹如一位浓装艳裹的戏子,缓缓脱去凤冠霞帔,抹掉眉黛花黄,渐渐显出邻家女孩平易可近的面目来。进入90年代,当代剧坛出现了一种世俗化、平民化的倾向。这种倾向同整个90年代多元化、商业化的文化背景密不可分。随着市场经济的迅猛发展,人们的文化需求及审美趣味逐渐变衍,这使得众多知识分子面临着转型期的困惑。他们在不断的探索中平衡着文学发展种种轻重缓急的关系:市场
China’s historical drama has evolved from “political history drama” in the 1960s and 1970s, “cultural history drama” in the 1980s and “historical drama of human nature” in the 90’s. To Fengguanxiaoxue, eyelid Daidai Huang, gradually showing the neighbors girl face easily. Into the 90’s, the contemporary drama appeared a secularization, civilians tendency. This tendency is inextricably linked with the diversified and commercialized cultural context of the entire 1990s. With the rapid development of market economy, people’s cultural needs and aesthetic taste gradually change, which makes many intellectuals are confronted with the transition period of confusion. In their constant exploration, they balance the priorities in the development of literature: the market