我见证了《木府风云》这部剧从创作到播出历时十年的过程,该剧主创人员锲而不舍,不断在创作的思维里发酵、升华、提炼,逐渐锻造,才展现了这么一个精彩的故事。这部剧高出其他剧的地方,在于创作者自觉不自觉地融进可贵的历史哲学意识。我们在写一个民族的历史的时候,最低层面是客观地、真实地再现它的历史,包括它的风情、代表人物的精神风貌、心灵轨迹,这是第一层次的。比这个高一等的,是以今天的视角反思既 I have witnessed the process of “Mufu Fengyu” from the creation to the broadcasting of the play lasted for ten years. The creative staff of this play perseveringly kept fermenting, subliming, refining and gradually forging in the creative thinking before showing such a wonderful story. The drama is higher than other dramas in that the creators consciously and unconsciously integrate themselves into valuable historical and philosophical consciousness. When we write about the history of a nation, the lowest level is to objectively and truly reproduce its history, including its customs, the mental outlook of the characters and the spiritual trajectory. This is the first level. Higher than this one, we reflect on today’s perspective