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文学艺术和哲学之间有着与生俱来的血肉关系。感性在现实生活中获得普遍的承认和客观的确立,成为理解生活、理解世界和理解人自身的重要方式。人类通过感性认识活动获得对事物的感性认识,经由感性生存的种种活动来维持自身的生命,构建自身肉体感官的形态和能力,并且在活动中充实和完善自身的精神状态。随着审美意识形态的无限扩张,导致工具理性、技术理性与“人文理性”的争锋相对,迫使社会现代性走向割裂文艺与社会、文艺与历史纽带“自闭”的“自足论”。我们今天论及感性话语不是为“美”继续高歌,也不是为“文艺”礼赞或落井下石,而是为当下人类生存寻求感性话语中的价值逻辑。
There is an innate flesh-and-blood relationship between literature and art and philosophy. Sensibility is universally acknowledged and objectively established in real life and has become an important way of understanding life, understanding the world and understanding oneself. Through perceptual cognition activities, human beings acquire the perceptual knowledge of things, maintain their own life through various activities of sentimental survival, build the form and ability of their own body sensory organs, and enrich and perfect their mental state during the activity. With the unlimited expansion of the aesthetic ideology, the relative confrontation between instrumental rationality and technical rationality and “humanistic rationality” has forced relatives to push social modernity to “self-containedness that separates literary, artistic, social, literary and historical ties ” autistic “ s”. Today we talk about emotional discourse not to continue singing the song for “beauty”, nor for complimenting or desperately criticizing “literature and art ”, but seeking value logic in the emotional discourse for the present human existence.