马思聪是我国第一代小提琴音乐作曲家与演奏家,其作品在中国近现代音乐史上占有重要地位。本文从曲式结构原则的角度,探讨他的小提琴独奏作品在曲式结构上的边缘性特点,以便更好地把握和认识作曲家在音乐创作上的总体创作思想与艺术追求,为我们的音乐创作提供有益的参考。 Ma Sicong is the first generation of violin music composer and performer in China. His works occupy an important position in the history of modern Chinese music. This article discusses the marginal features of his violin solos in the structure of music from the perspective of the principle of music structure in order to better grasp and understand the overall creative thinking and artistic pursuit of composers in music creation as our music Creation provides a useful reference.