浪漫主义时期音乐家弗朗茨·李斯特常被冠以“炫技大师”的称号,然而他除了精湛的钢琴演奏技艺以外,还是一位作曲家、教育家与音乐理论家,在其晚年的“神父时期”曾皈依宗教,并产生于宗教相关的音乐美学观。本文以其该时期的音乐美学观为研究对象,回溯其思想来源及表现。 Romantic period musician Franz Liszt is often named In addition to his superb piano playing skills, but also a composer, educator and music theorist, in his In his later years, the “Fatherhood” had converted to religion and had its origins in religious-related musical aesthetics. This article takes the music aesthetics view of this period as the research object, traces back to its source of thought and performance.