从上个世纪40年代末到80年代初,辽宁诗歌始终与时代的意识形态命名相纠缠,它在美学的实践上缺乏强有力的旗手或潮流的代言人。进入80年代中期,在全国诗歌新浪潮的促动下,辽宁诗歌开始了分化。本文试图在对辽宁诗歌整体回顾的同时,重点关注现代审美诗歌的写作从萌茅和茁壮成长的过程。辽宁诗歌在整体上,经历了三个审美主流阶段—— From the late 1940s to the early 1980s, Liaoning poetry has always been entangled with the ideological naming of the times. It lacks a strong standard-bearer or a trendy spokesperson in the practice of aesthetics. Into the mid-1980s, inspired by the new wave of poetry in the country, Liaoning poetry began to divide. This article attempts to review the whole of Liaoning poetry while focusing on the process of writing modern aesthetical poetry from Meng Mao and thriving. As a whole, Liaoning poetry has experienced three stages of aesthetic mainstream -